I was commissioned to write this a few years ago for the Central European House of Photography in Bratislava (and thank you to all the photo...
Friday, 19 January 2018
Mère et Fils (Mother and Son) by Anne de Gelas is the follow up to her wonderful, but tragic L'Amoureuse. It tells the story of how Anne reconfigured her relationship with her son, and with herself, her lovers and her own body, after the death of her husband (the immediate aftermath of her grief is the subject of L'Amoureuse which you can read about here).
The advantage of video reviews is they will be reasonably quick and I will learn some basic editing by doing it again and again.
The disadvantage is you can't say as much as you can when you write. At some point in this review I talk in brief about the authenticity of de Gelas's pictures, but also the flaws of her pictures. They are staged, they are a theatre, but somehow that makes them even the more real. The authenticity comes from the drive and intensity of the emotional narrative that she delivers through her pictures, her writing (half of which I don't understand - but it doesn't matter) and her drawings. The authenticity comes from the fact that she has a story to tell, a story she cares about, that is rooted in her mind, her soul, her body and her son. Too often, stories that are based upon staged images have no heart because they are coming from places where the story doesn't really matter, in narratives that don't really have a soul. They sometimes pretend to have a head, and move the focus to the cognitive but really they are empty vessels. . It's a complex story but she tells it beautifully. Mère et Fils isnt' like that. It's a story that matters!
Buy Mère et Fils here.