I reckon his latest offering was a quick order for 400 words sharpish that he wanted to get out of the way before settling down for the snooker.
'Harry’s nature portraits show someone trying too hard. Kate’s portraits of Louis, on the other hand, show true artistry'
'No longer content to spend hours posing for professional snappers as their predecessors did, today’s young royals publish their own efforts.'
'As an ecological image, this is eloquent. The only trouble is, Harry’s aesthetic ambitions are too obvious. Black and white always smacks of pretension unless the photographer is a true artist.'
'In this case, it’s all too clear the photographer is emulating one artist in particular: the great Sebastião Salgado, who travels the planet photographing endangered nature and oppressed humanity. But Harry isn’t Salgado.'
'Good for the Duchess of Cambridge. Her new photographs are simply portraits of her son Louis. Any parent would be proud to have taken them – as would many professionals. Each picture has an intense focus on Louis himself. This not only exhibits technical excellence, but communicates feeling.'
'The duchess is an active patron of the National Portrait Gallery. I reckon she looked closely at its exhibition of masterpieces by the Victorian photographer Julia Margaret Cameron, for her concentration on her child’s face is a poetic technique that Cameron pioneered.'
'Harry is play-acting at being a great photographer. The duchess takes family snapshots and shows they can be little works of art.'
'Kate Middleton is rightly honoured for her photographs – they are full of love'
'I would much rather look at these honest documents of familial love than Mario Testino’s fake flattery of royal glamour.'
'If you want to take a great photograph you need to discover something unique.'
'Kim Kardashian looks at what she loves, too, and so does Sebastião Salgado. If you want to take worthwhile pictures, concentrate on what really matters to you, be it your bum or the lost peoples of the Amazon. It is the scene that is wondrous, not the snapping of the shutter.'
'It just looks stupid when a photograph is framed or backlit and displayed vertically in an exhibition, in the way paintings have traditionally been shown.'
'It’s amazing how long some people can look at a photograph. I observed the observers, rapt before illuminated images that I really can’t look at for more than a few seconds.'
That is because when you put a photograph on the wall I cannot help comparing it with the paintings whose framed grandeur it emulates, and I can’t help finding photography wanting.
'A photograph, however well lit, however cleverly set it up, only has one layer of content. It is all there on the surface. You see it, you’ve got it.'